Dr. Ope Banwo has offered a business-focused explanation for the sustained box-office success of Funke Akindele and Toyin Abraham, arguing that their dominance is the result of strategic market alignment rather than luck or social media gimmicks.
Responding to criticism from some veteran actors and filmmakers over cinema promotion styles, Banwo explained that film marketing is ultimately about driving human behaviour—ticket purchases—not preserving dignity or tradition.
“Cinema marketing is not about what feels respectable to producers,” Banwo said. “It’s about what moves people to show up and pay.”
He described Akindele’s success as a textbook example of systems thinking, noting that she combined acting talent with production control, distribution knowledge, audience intelligence, and aggressive marketing.
The result, he said, includes five straight years of box-office leadership, multiple billion-naira cinema runs, and ownership of four of the top five highest-grossing Nollywood films of all time.
Banwo placed Toyin Abraham just behind Akindele, describing her as Gen-Z-literate by strategy rather than age, with a strong grasp of market psychology and audience engagement.
He noted that while some producers rely on third-party funding and pre-sales to streaming platforms, others must recoup investments directly from cinema audiences, making marketing hustle unavoidable.
“The women being criticised are accountable to the market,” Banwo said. “They face the audience directly, and the audience keeps rewarding them.”
Banwo concluded that until alternative strategies consistently outperform the current box-office leaders, criticism should give way to data-driven analysis.
“In cinema, the scoreboard does not lie,” he said. “And right now, the market has spoken.”

